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Most Christmas decorations are designed to last one season. Made from plastic, foam, or cheap synthetic materials in factories optimised for volume rather than longevity, they end up in landfill in January — if they make it that far without breaking first. The alternative is not to decorate less. It is to choose differently: pieces made with material that already existed, by people paid fairly, with a visual character that comes from craft rather than a production line. This guide explains what that actually means — and what it looks like in practice.
Christmas is one of the most resource-intensive times of the year for discretionary purchases. A significant proportion of the decorations sold globally are made from non-recyclable materials, shipped thousands of miles, used for a few weeks, and discarded. The carbon footprint of the average set of mass-produced ornaments is carried not just by the materials but by the logistics, the packaging, and the disposal.
The problem is not the desire to make a space feel festive. That desire is legitimate and worth honouring. The problem is that the supply chain behind most festive decoration is invisible to the buyer — and what it contains is usually worth knowing about.
Ethical alternatives exist in every price range. They share a few structural characteristics that are worth understanding before buying.
The word "ethical" covers a lot of ground. Applied to festive decorations, it means something specific across three axes.
An ethical decoration starts with material that either already existed or was produced in a way that does not deplete resources faster than they can be renewed. Upcycled textile — fabric that was already in circulation before it reached the workshop — is the strongest version of this: no new material is produced at all. The decoration is, by definition, circular. Pre-loved sari fabric, for example, begins as a garment worn in India, passes through resale markets, and arrives at an artisan workshop where it is worked into a new object. The production footprint is close to zero.
Handmade decorations carry a labour story. The question is whether that story is a good one. Independent certifications — B Corp, WFTO (World Fair Trade Organization) — provide external verification that wages are fair, working conditions are safe, and the claims on the label are not marketing copy. Without certification, the labour conditions behind a handmade decoration are difficult to assess.
The most sustainable decoration is one that is used for many years. Well-made textile ornaments — particularly those built from durable handwoven fabrics designed for repeated handling — are structurally better suited for long-term use than plastic or foam alternatives. A decoration that lasts twenty Christmases has a fraction of the impact of one that lasts one.
Standard Christmas ornaments share a production model that is difficult to improve at the margins: materials sourced for cost rather than quality, factories that produce at volume without visibility into labour conditions, and a price point achieved by externalising every cost that does not appear on the receipt.
The visual result is also consistent: identical units in identical colourways, designed to sell rather than to distinguish. A home decorated with mass-produced ornaments looks like every other home decorated with mass-produced ornaments from the same retailer.
Handmade alternatives differ at the source. When the material is pre-loved textile — with its own print history, embroidery, and colour combinations — no two pieces are identical even when they share a form. A set of star ornaments made from different sari fabrics will vary across every piece in ways that a production line cannot replicate and would not try to.
I Was a Sari makes festive ornaments from pre-loved sari fabric — sourced from resale markets in Mumbai and handmade by artisan women employed at fair wages. The brand holds B Corp certification and is a member of the World Fair Trade Organization (WFTO), which independently verifies both the environmental and social claims.
The range covers the full scope of what a Christmas decoration scheme requires.
Individual tree ornaments are available in multiple sari fabric combinations — printed cottons, embroidered sections, kantha-quilted layers. Each piece is a specific, unrepeatable configuration of a specific set of fabrics. The shapes include stars, moons, hearts, bells, snowflakes, and tree forms. A set assembled from the IWAS range will not look like any other set assembled from the IWAS range, because the fabric combinations do not repeat.
The Cheer range covers the classic ornament forms — crescent moons, hearts, bells, gift shapes, snowflakes — in sari fabric with a clear, colourful aesthetic. The Precious range covers the same forms in gold and silver coloured construction: a more refined palette that works in neutral or monochrome decoration schemes without the visual density of printed textiles.
IWAS Christmas stockings are made from the same pre-loved sari fabric as the ornaments — patchwork construction, varied fabric combinations, no two identical. The stocking format is one of the few festive objects that has a use inside the home beyond the tree itself; a well-made one is worth choosing carefully.
The most useful approach to ethical festive decoration is not to buy a complete set in one season, but to build incrementally — adding pieces each year that are chosen specifically rather than purchased in a volume pack.
Start with a limited palette: two or three fabric families, a consistent set of forms. IWAS ornaments in printed sari fabric work in neutral scheme contexts where the textile character carries the visual interest; the Precious range works where the scheme calls for metallics. Stockings in patchwork sari fabric add warmth and material character to a fireplace or stair rail without competing with the rest of the decoration.
A scheme built this way — with pieces added deliberately rather than replaced annually — develops its own character over time. Browse the full home collection to see what the range includes beyond ornaments.
Festive ornaments are one of the most underused gift categories. A well-chosen ornament is a physical object the recipient keeps, uses annually, and associates with the person who gave it. Unlike consumable gifts, it is still present in a decade.
IWAS ornaments are particularly suited for this purpose: each piece is visually distinctive, has a clear material story — pre-loved sari fabric, made by artisan women in India, certified ethical — and sits in a price range that works for gifting. The range also includes home and decor pieces that work as gifts in contexts beyond Christmas itself.
What are ethical Christmas decorations?
Ethical Christmas decorations are made with material that either already existed (upcycled or pre-loved) or was produced sustainably, by people paid fair wages under verified conditions, and built to last rather than to be discarded after one season. The clearest indicators are material transparency, independent certification such as B Corp or WFTO membership, and construction quality that supports long-term use.
Are handmade Christmas ornaments more sustainable than mass-produced ones?
Handmade ornaments can be significantly more sustainable, particularly when made from existing material rather than new production. A handmade ornament from pre-loved textile has a near-zero production footprint and is typically built for durability rather than for a single season. The key variables are material origin and labour conditions — both are worth asking about regardless of whether a piece is handmade.
What is upcycled sari fabric and why does it matter for Christmas decorations?
Upcycled sari fabric is textile recovered from pre-loved saris — garments already in circulation — rather than produced new. When used for Christmas decorations, it means the ornament's material existed before it became an ornament: no new fabric was made, no new dye applied. The prints, embroidery, and weave structures come from the sari's own history. Each decoration is materially unique as a result.
How long do IWAS festive ornaments last?
IWAS ornaments are made from sari fabric — traditionally woven textile designed for repeated handling and washing. With basic care (dry storage, gentle handling), textile ornaments of this construction last for many years. They are not made for a single season.
Are I Was a Sari festive ornaments certified ethical?
Yes. I Was a Sari holds B Corp certification and WFTO membership — both independently verify that the social and environmental claims across the business are real. This covers the ornament range as it covers every other product category.
Can I use IWAS ornaments outside a Christmas scheme?
Yes. Star, moon, and heart forms work in non-Christmas festive contexts — celebrations, home decoration, gifting occasions. The material character of sari fabric is not season-specific; pieces from the festive range can be displayed year-round in the right context.
A Christmas decoration scheme built from pieces that were already something else — that carry a fabric history, a specific print, a set of hands that made them — is not a harder thing to achieve than one built from mass-produced equivalents. It is a different kind of decoration: one that changes slightly as it grows, that has a story to tell, and that is still present in twenty years.
Browse festive ornaments →
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Fit & measurements
Every body measures a little differently, so we size by chest, waist and hip girth rather than guesswork. Use the reference table below alongside the measuring guide to check yourself before you order.
All measurements are body girth, in centimetres, with 1cm of ease already built in.
| Size | XS | S | M | L | XL | XXL |
|---|---|---|---|---|---|---|
| EUR | 34 | 36 | 38/40 | 42 | 44 | 46 |
| Chest | 80–84 | 85–89 | 90–95 | 96–101 | 102–108 | 109–115 |
| Waist | 60–64 | 65–69 | 70–75 | 76–81 | 82–88 | 89–95 |
| Low hip | 89–93 | 94–98 | 99–104 | 105–110 | 111–117 | 118–124 |
Between two sizes? Go by your chest measurement first for tops, or hips for bottoms, see the notes below.
Use a soft tape, wear light clothing, and keep the tape level all the way around.
Wrap the tape around the fullest part of your chest, level across the back. Keep it snug, not tight, and read the measurement where the tape meets.
Find your natural waistline, usually the narrowest point of your torso. Don't hold your stomach in, keep the tape level and comfortably snug.
Stand with feet together and wrap the tape around the fullest part of your hips and seat, straight and level front to back.